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About the Project

 

Descriptions of the interaction, stimulation and creativity of this period call up images of the left bank of Paris in the '20s rather than Omaha in the '50s and '60s.

This project is identifying the people involved and documenting in what ways the Omaha arts community of the '50s and '60s was unique and special then and to examine the legacy left by this era for the Omaha community of today and the future.

People are being interviewed to preserve their experiences; and public and private archives are being searched for related archival materials.

 

How can you be part of this?

Contact us to share
- your stories, your knowledge
- your archival materials (photos, slides, home movies, letters, costumes)
- to interview others
- conduct research on- and off-line
- to make a tax deductible donation.

The Left Bank of Omaha operates under the umbrella of The Bemis Center for Contemporary Arts, a not-for-profit international artists residency program located in Omaha. Donations made through The Bemis are tax deductible. They should be made payable to The Bemis Center for Contemporary Arts, making sure to mark the memo line: "Left Bank of Omaha Oral History Project" and mailed to Victoria Haas, LBO Project Director, 306 South Third Avenue, Maywood, IL 60153.

kingman

This woodcut by Joslyn Art Museum Director Eugene Kingman illustrates the midwest agricultural context in which this creativity flourished. Eugene Kingman was not only an adept administrator for the Museum, but a skilled artisan who brought his sensitivities for both arenas together. It was he, as the Museum's Director, who in the late 1940's approached Omaha artist Elmer Gruenig and invited Omaha artists to meet at the Joslyn to facilitate dialogue between the museum and the Omaha arts community. Under Mr. Kingman's direction, the museum through its staff worked eagerly with other Omaha arts institutions -- creating set designs for the Playhouse, inviting dancers to interpret art and music in the galleries,
and hosting various recitals and performances.

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Copyright 2007